Fourth Spatial Dimension: 

Pillar: 2019 to 2024


The idea of a fourth spatial dimension first emerged at the end of the 19th century. Pre-Einstein, this extra dimension was thought of as a space that could explain other spatial phenomena and even give us a truer understanding of our metaphysical context: what Ouspensky described as the “Cosmic Consciousness.” 
When the artist came across this idea in 2019, it immediately made sense: not only to explain why we would have a ‘spiritual’ sensation but also our whole cognitive evolution.
The fourth spatial dimension becomes a pillar to the construction of a universal model for it presents a clear logic to our mystical experience in this world. 
In doing this we can have a better ontology because with the fourth spatial dimension in mind, we do not need anything beyond the physical to explain something beyond our physicality.

Recent Paintings



”Interdiimensional Transmission Link” oil on canvas, 100cx70cm, 2023.
”Hypercubist Mind Space” 
oil on canvas, 70x50cm, 2023.
”Movement in the Fourth Space”
oil on canvas, 70x50cm, 2023.



Egothávma

Online Exhibition with Emnt.com

“Analogy for understanding fourth spatial dimension” 
20227016 x 4961px 
Edition of 12, 2022
“fig. 13, Paradox of Being in the fourth spatial dimension” 
20227016 x 4961px 
Edition of 12, 2022
Exhibition View, “Mantra Door” variable dimensions 
Edition of 100, 2022
Exhibition view: Egothávma, 2022
Exhibition view: Egothávma, 2022



 

Dome Wood, *The Fourth Dimensional I*, 2022, Video, 1080p, 6m51s, Edition of 7



The Campaign

 Rectangle, at BGW at Vanderborght Buiding, Brussels Installation view, "The Campaign", 4 Paintings blown up to Billboards (244x366cm), as part of the collaboration with Rectangle, for the occasion of the exhibition: Brussels Gallery Weekend- Vanderborght building, Brussels

“Consciousness in connection with itself as other becomes localised in 3 dimensions.” 
oil on canvas, 80x120cm, 2019
“The mind hyper-cubed to 4 dimensional space becomes non-local to 3dimensional space” 
oil on canvas, 80x120cm, 2019

“The construction of the subject to object from 0 to 4 dimensional space.” 
oil on canvas, 80x120cm, 2019 

Installation view, "The Campaign", Brussels Gallery Weekend- Vanderborght building,
 Brussels, 2019
Installation view, "The Campaign",  Brussels Gallery Weekend- Vanderborght building, 
Brussels, 2019

Brochure published by Rectangle for 'The Campaign'



Discussion between Pieter Vermeulen & Dome Wood
Pieter Vermeulen (1983) is an art critic, lecturer, researcher and curator.